laconic phrases are all about less words and more sense. we use the same principles in our stripped down grooves which are released on fresh imprint - laconica. its all about minimalistic dance-floor tools which were tested in different clubs around the world, from kyiv s closer to concrete in paris.
for a debut ep, label founder alex pervukhin presents 3 different grooves. on the a-side you can find hommie groove, which is an excellent example of a broken-beat house music with good-old airy juno pads. on b side there are two 4/4 tools: bb, which could be heard in varhat’s mix for concrete which was so hyped last year. aa is a peak-time killer with analogue chords and jackin bassline. strong minimalistic grooves - exactly what laconica is all about.

weaving the old with the new.
exploring the known and the unknown.
time is just irrelevant,
it’s the journey that matters
stories are forever...
mystery repeats!

genii’s debut ep on feines tier. we are more than happy to present four tracks by the man from amsterdam who’s also responsible for countless dutch party and festival happenings as well as the productions for electronic live band dialoque. artwork by daniel hageman.

nice price deal !!! the empire strikes back! phi has dug deep into the slovenian electronica heritage only to return with the 4th chapter containing three mid 90 s unreleased tracks by the cult duo random logic. once the pioneers of adventurous acid and techno sounds having released on labels such as thee blak label and having played in legendary places like the old ostgut ton, random logic are no strangers in playlists by the braver big shots such as nina kraviz. their signature acid melancholy and drive hasn t aged and syncs perfectly with phi s growing sci-fi catalogue.

2007 - 2017: heavenly sweetness is turning 10 years old! they are celebrating with 3 birthday parties, and 2 compilations! one is a best of the labels production, and the 2nd one is made of exclusive tracks, composed for this occasion. one is a best of the labels production, and the 2nd one is made of exclusive tracks, composed for this occasion. this compilation is a very subjective best of the labels production, from each album or single we had the chance to produce, with great artists. a journey through 10 years of music, a great introduction to the labels universe, but even the experts will discover unknown tracks. including well known artists such as guts, blundetto, sly johnson, anthony joseph, but also more confidential artists: robert aaron, jacaranda muse, patchworks (and his tribute to gil scott-heron)

mar & sol first release is aleluia lp from the cabo verde singer pedrinho. at the time, late 70 s, this lp was one of the biggest successes from cabo verde music. singer pedrinho moved to lisbon when he was 18 years old, and recorded this album, the first one of his career. aleluia was produced in the same street where mar & sol is based nowadays, in rua de s.bento, lisbon, portugal. this street was also where pedrinho come to live when he arrived in portugal, like the majority of the musicians and emigrants from the old african portuguese colonies move at that time, to try a new luck. a big community grew here and these artists got the opportunity to record their own traditional music by the hands of local labels. now is the time for mar & sol to give a new life to all this music, this is the first of many reissues that are coming to start the series of the label.

following an extended break tsuba returns, looking back to move forward with an official reissue of dreamworld by westworld originally released in 1990. the charms of this record endure 27 years later with a twinkling melody, starry eyed piano line and emotive bassline. the one and only gerd janson adds subtle touches to dreamworld and the old school flavoured the slam along with a dj tool of dub siren beats.

yellow sunshine by the band of the same name is an essential proto-disco jam from back in 1973. a big one with the underground disco heads and b-boy dj s in the bronx alike this record is a sure-shot! often early hip-hop djs would buy 2 copies of this 45 or the lp and cut it up long enough for the crowd to get loose and into the groove. a party-rocker of the highest order. produced in philadelphia, originally released on kenny gamble s gamble label and featuring some heavyweight players including dexter wansel, roland chambers and more, yellow sunshine is the perfect blend of funk, rock & disco old school style. backed with don t tell me later girl a la the original 73 gamble records promo this one s an essential for anyone who digs that funk! there s always been poor imitations, but this 2017 repress is from the master tapes (yes, we can prove it) and is fully, 100% legit in every way. yellow sunshine now available again, released in conjunction with gamble / pir. back on the streets. same as it ever was! buy on sight!

2018 repress in original artwork! the debut album of these two young lads with baseball hats not only honours and delves into a sound that already peaked some fifteen years ago, it also hones and elevates it, without ever falling into the reynoldsmania trap (please see retromania for further reference) or being old gold retold. and this is all oh-so-clear from the very start: the fine flutes of >when its there< go straight to your heart and they do so without any self-mockery or hipster smiles as much as the gasping 303-sounds, chirping birds and healing dx-like bass sounds a few tracks later do. >salty days< - an allusion not to grim times, but to a certain members adoration for the crystalline mineral - is blessed with a coherence that isnt samey, with tradition that isnt leaden and a feeling that is pure.

at the tail-end of 2017, xl recordings reissued jonny ls seminal d&b album sawtooth on vinyl for the first time. a move that further cemented the records game-changer status, dj mag hailed the record as being still the future, while resident advisor said 20 years later, sawtooth still sounds like an outlier. so after showcasing this 20-year-old classic, xl recordings are today releasing a 12inch containing remixes of the most iconic track from the lp, piper. with efforts from peverelist, overmono, powell and zomby, these remixes go some way towards showing the influence jonny ls music still has on a wide range of contemporary electronic artists.

the score introduces several new themes interwoven throughout the film, including identities for the character rose tico, the interactions between rey and luke skywalker on ahch-to island, and the resistance’s desperate escape from the first order. the score also reprises numerous themes and motifs introduced in the force awakens, including those for the characters of rey, kylo ren, poe dameron, and snoke, as well as the -march of the resistance- and -the jedi steps-. themes introduced in the original trilogy return as well, including -luke’s theme-, -leia’s theme-, -the rebel fanfare-, and the -force theme- from a new hope, -yoda’s theme-, -the imperial march-, and -han solo and the princess- from the empire strikes back, and, -luke and leia- and -the emperor’s theme- from return of the jedi. excerpts of the -tie fighter attack- cue, first heard in a new hope and reprised for return of the jedi, are also included. -the emperor’s theme- is the only returning theme to not be included within the official soundtrack presentation, it occurs in the film when snoke tortures rey for information. the score briefly quotes -aquarela do brasil- by ary barroso in its -canto bight- track as a reference to the 1985 terry gilliam film brazil. it also contains a brief quote of williams’s own theme for the long goodbye (co-composed by johnny mercer) during finn and rose’s escape, although this was not included in the official soundtrack release.

we got to know dan only, an exciting emerging artist from the toronto underground, when he collaborated with jesse futerman on our recent deep love 2017? compilation. his debut record, released on adam marshalls new kanada imprint, introduced his deep instinct for electronic music and unique, boundless approach to deep house. an avid collector of old school gear you can hear the analogue warmth throughout this intricately detailed yet heavy hitting four-tracker. its clear opens. a solid house jam, its thumping drums and resonating melodies follow a steady bass groove ready to heat up the dance floor. be major…believe leads in more gently before warbling key lines and synth details layer over gritty percussion pushing the mood closer and closer to bursting. this one conjures images of summer nights and distant coast lines. on the b, simmering vocals and tropical rhythms dance amongst straight forward house energies on dont you understand. rich with subtleties, its somehow smooth while seriously impactful. finally we have truffles. a very modern twist on disco vs house its an original italo infused gem with an edit feel, that maintains the vibe of an 80s era hedonistic night throughout. perfect as a peak time mood elevator or blissful, hands-in-the-air closing record. were convinced dan onlys future is bright and are overwhelmed by the quality and musicality of this, his first solo ep on dirt crew recordings.

with their new horizon ep, lucien & the kimono orchestra open a music box which transports you in a blue and dawnish atmosphere, a morning spent on walking in an old cinematic paris. first step in the eighties, connection starts as a film opening. then arrives the single, fresh start, full of indelible voices and gimmicks. horizon, sung in french, is a delicate reference to the french songwriting tradition inherited from michel berger, alain chamfort or alain souchon. to get some breath back between two songs, georges, offers a strong instrumental interlude. almost at the end, the english-spoken shell extends the panel of influences with its downtempo emotion. with its spontaneous declamations and slick guitar riff, asile closes the journey, as the splendid climax of the foursomes second ep.

a song dedicated to his wife and their marriage. the song contains so much captured emotions. from shimmering synths and old school orchestra hits to a solid walking bass line that solidifies the love for the dance floor. on the dub mix, santiago stripped the track down for a big sound system leaving a heavy bass line and strings throughout the track. esteban adame presents guaguanco. i wrote this track while playing with g2g and mike banks was always pushing us to electrify your roots. though my family is not cuban, cuban music has been a huge part of my musical development as a musician. the track uses traditional cuban rumba rhythms (guaguanco) to trigger synths and percussion samples alike to create a dense polyrhythmic cushion for the track to sit on.

reissue of the rare 70s folk-jazz record from toronto based artist beverly glenn-copeland previously released on the canadian grt imprint. comes in a heavy tip-on sleeve.

richard sens sound has always been influenced by black dance music and european electronic music and these two tracks carry on the vibe dark, electronic funk! flow master is inspired by old school new york house combined with european industrial body music. sen calls it muscle house. bad meaning good is a lighter, deep groove that takes inspiration from african percussion artists like kongotronics.

tengrams are brothers alessandro and davide, who collectively have a deep and long understanding of dance music. davide is a co-founder of n.o.i.a, one of italy s first electronic live acts to perform and record with drum machines and synthesizers as early as 1978. he was also behind seminal italo outfit klein + m.b.o and proto house hit dirty talk. since then they have released under an array of aliases, have clocked up numerous club hits and this new project brings them back to their electronic roots, with influences like sci-fi movies and old school electro and italo looming large. -devious- is a very breezy and energetic track with a rolling arpeggio and rich keyboards section over a simply but groovy tr-808 pattern. classical italo space disco sound updated to nowadays. -translucent- sounds like a dreamy electro-ballad heavily influenced by kraftwerk. -pop song- keeps the same 80 s electro vibes with simple, wistful melodies and a great funk bass line. -disco dub- is a pretty damn cool early eighties electronica, with a great pumping -robo-funk- linndrum!

new addition to shir khan s disco series: welcome t.u.r.f. t.u.r.f. are two dutch friends, dj s and producers joined by their love of old records from a wide range of genres. last year they released their debut ep on apparel music, which got support from artists like roy davis jr, soul of hex, frits wentink, black loops and many others. after such an amazing start, they are very excited to take their music into new directions with this new ep for black jukebox, consisting of three diverse tracks that will bring the feel good vibes back to the club.

ltd 2018 repress !!
the mysterious donnie tempo has been producing house music for over twenty years. his first release as donnie tempo was back in 2001 on larry heards alleviated records, demonstrating his old school acid inspired productions. donnie tempo unleashes the systems on ep due for release in september on mamsw. the ep drops two previously unreleased tracks recorded between 1989-91 and one new production tcb, that shows that the original chicago house sound still runs deep. finally, donnie has found a new home to release the uncharted authentic house jamz that hes created. stay tuned.

remastered reissue of the 1973 tom waits album. the vinyl release includes a download code.

the fourth release of bassiani was dedicated to various artists. starting from cassegrains track departure seven, we encounter a completely new and unfamiliar artist ersatz olfolks with his track straight road. hector oaks strikes with old school atmosphere by move on circles, walk on lines, while thomas hessler competes the circle with melancholic vibe by his track memories.

echovolt is thrilled to finally bring you the work of the first greek producer on their growing reissue catalog offering two ultra-rare recordings that lived on the shelf for exactly two decades. the then 16-year old starcount recorded those two stripped-down cuts straight to dat tape in his bedroom studio in athens during the late 90s between cutting classes and sailing in the aegean sea. despite his young age both calma and jeraldine showcase top notch production skills with solid arrangements featuring the typical vocal samples of the period underlined by hypnotic melodies, jazzy chords and a densely populated pallet of drum hits. it is most likely that the above mentioned tracks might be the earliest detroit influenced productions ever made in greece around that time! suitable for night cruising and any kind of rides with friends and family!

late last year, we modestly celebrated the sixth anniversary of lph records by releasing a 10-inch that reconnected us with our very first ep by bringing back two of the artists who contributed to it, runaway and soft rocks. now, as a sort of companion to that, we have lph___vi , a 7-inch that gives shine to a couple other names that have been spotted on lph party flyers of old and back catalog credits, jacques renault and daniel t. both these are fun, flavorful little disco nugs united by funky bass guitar fretwork and plenty of sassy woodblock, though jacques leans towards the goofy and daffy, whereas daniels brings some synth-pop seriousness into the frame. as befits the format, both hover around four minutes in length.

for our second ep, we are shifting from manila, philippines, to our other home city, bangkok, the thai kingdom’s capital. hailing from here is dott, one of three founders of more rice, a truly home grown bangkok electronic producer, dj and the talent behind mah noi ep. dott already has a number of releases under his belt and is now a regular on the asian circuit, playing gigs around the region. at 26 years old this is quite impres- sive and we are very proud to be releasing his first pressed record under more rice.
mah noi ep embodies dott’s sound, which is deep, driven and moody, whilst keeping an organic twist throughout and clearly inspired by his home country, the key to setting the release apart and making it tasty for more rice. the careful and precise placement of vintage thai samples gives it that extra flavour and mystery that can engulf the listeners and dancers, whilst the remix by eric volta truly transports you to another dimension.

a solid two sider for your soul box from the old town vaults, say it with feeling is a great mid tempo soul track which i have used as a warm up track for many years and had remained popular on the soul circuit as well. for me the real magic happens on the flip. conscience is a haunting mid tempo off-kilter number, memorable in the extreme, challenging to work it into a set, a charming, fascinating record, no wonder it was a huge popcorn spin in belgium.

200 copies - vinyl only - giant records sees in the new year with a killer ep from a bright new producer from poland, by the name of, mariuz kryska, mariuz offers up two peak time grooves here with remix duties falling on, sascha dive and giant head honcho grant dell. the first track up is low jam, which sees the original mix dive into a deep drum lead swing reminiscent of old todd terry beats, that have gone before, all topped off with a spoken word and tight hats and rides. next up is sascha dive - giving low jam a slowed down dubby feel with some sweet dubbed-out stabs that evolves into that deep house sound that sascha has mastered over the years. next cut is no perspective mariuzs original mix is a relentless bass heavy work out which weaves around some slick west coast gangsta rhymes and detroit style strings and pads. grant dells take on no perspective leans on the detroit style pad, from the original and adds some off kilter 808 beats that sit nicely along some smart 303 stabs and the gangsta rhyme which then merges into a slick techno jam with added breakbeats.

the first full artist ep of 2018 is one by a new artist for heist, but a familiar name for any modern day house aficionado: adryiano. after taking 2016 off, he came back guns blazing in 2017, releasing 5 solo eps in 1 year on labels like shall not fade and baka gaijin. his me and you and her ep for heist showcases his contemporary view on classic house and acid, and is an experiment into how much distortion a track can actually handle when youve got a killer sample hook. me and you and her is about as classic as a house track can be and moves in similar fashion as his post-2013 hit ‘on my side. its got a sweet and repetitive vocal loop, some semi-grainy but definitely groovy percussion and a deceptively simple piano hook. add some filtering and youve got a lovely warm house song that can go on forever. the a2 move it, move it moves straight into old-school chicago territory, with a raw af acid bassline. chicago bred jamie 3:26, now residing in its dutch counterpart rotterdam, gives the track a nice old school twist. hes going full 707 on the percussion and has casually added an amazing synth hook to give the remix a true vibe of its own. the ep closes off with fashion country girl: adryianos dystopian view of a world where dolly parton gets mangled through an overdrive, then gets distorted, crushed, mangled, deleted, re-added in 8 bit and then crushed some more. the result is an uptempo roller with more than enough grit, and just enough tongue-in-cheek to make everyone smile a little bit more. yours sincerely, maarten & lars.

last summer during an evening spent with my friend dj topha, we came upon the everlasting subject of old versus new. i m finding so much great music right now, and not just digging back in time but exploring our own timeline geographically too, he said, the level of production these days is rising fast. you have to check out these snippets from a new label based in casablanca. not long after, in an interesting twist of fate, driss bennis and i began to exchange music: i shared his soundcloud for the first casa voyager release, and he sent me a promo copy which i played out a lot. it seemed only logical to ask him for music for basic moves. later that summer we met in paris for a convivial back to back at dawidu s shop, te iubesc records and sapology. it was as simple as that, and in a few weeks basic moves 04 was ready. night train and overseas blew me away by their quality - the tracks are retro-esque yet fresh, and stem from a loose approach to electro. their arrangements are very smart, not everything is revealed the first time round. the more you listen, the more you understand that the power of the tracks lies in the details. together with ailsa s artwork, stefan s cut and chris mixes the release fell so smoothly into place. i have come to realise how important it is for the scene to release recently produced music as well as treasures from the past. you can t build a community by only playing old records. it s about a combination, about finding gems that glide together. old and new. and for that, i think both these dj booth tracks really fit the bill.

this initial release on the new futurepast label marks davy’s first output as a producer, crystallizing his endeavours in the studio and bearing witness to his long-standing experiments in electronic music. built between london and berlin over the last four years, the long now lays down the blueprints for following ventures on the label: using old and new gear to create unique, obscure soundscapes both outside of memory and away from nostalgic projections of lost futures. in a timeless and precise collaboration, davy has brought together two historical figures for this release: 1990s r&s records associate david morley mixed the tracks, while simon davey of the exchange lent his renownedmastering skills to the project. temporality, time travel and perception are key concepts for davy, and not only in the ep’s title. the four stripped-down tracks move forwards, sidewards and backwards in a bid to get us lost – not in space but in what time might sound like should we be swimming through it. mysterious and ageless synths mesh with the beats of an unnamed drum machine under davy’s control. we move through a non-linear story told by three distinct forward-thinking techno titles: no memories planned, circular weeks and causal loop. finally, the titular ambient track pans out cinematically over the images left in our heads: an invitation to begin it all again in the long now...

it was 2016 when we last saw the venezuelan duo, better known as fur coat, drop their debut ‘interstellar ep on watergate records and now they finally return with their follow up, the ‘immersion ep. immersion kicks off with an agile kick drum setting the stage for rapid fire percussion and an overwhelmingly satisfying ascending organ line that could be the trademark of any sci-fi film score. add a few shudders of glimmering atmospherics and its a trek into the cosmic realm of techno where space and time cease to exist. flipping sides the duo dive deeper into the infinite expanse with inner circle where lush textures canvas a mesmerizing groove and hypnotic spirals of gratifying repetitive sonics resulting in a fiercely energetic yet undeniably euphoric expedition under the club lights. embracing the tools and mechanics that have made their sound unique and successful for so long, fur coat seems to have delivered their most mature and polished ep to date with their ‘immersion ep where stunning spacial details and a precise attention to detail have embodied the age old saying, less is more. fur coat is back. immerse yourself.

copenhagen s tartelet is returning to their roots with a dancefloor-focused ep, pizza trance, from dirk 81—a.k.a label head emil m. nyholm. having previously dropped a slew of tracks as muff deep and ctepeo 57 (with max graef), the dj and producer is blessing the universe with three cuts of dancefloor heaven under a new moniker lifted from his days tagging concrete walls in the 90s. influences draw everywhere from disco, to african hi-life, dub, underworld, a few old trance records, and timeless house music.

recorded over a year in berlin and copenhagen, the record kicks off with -m.f.c-, a disco-afro-house hybrid oozing with roland jupiter 6 keys and some funky drums processed on old equipment from the former ussr. the b-side spreads things deep and delicious with -pizza trance (main mix),- a euphoric serving of sounds that substitutes pepperonis and pineapples for glittering sequencers and a bangin bass drum.

the ep s closer tastes like a bit of both, mixing up some more acid sounds into the recipe for a retro-sounding house track. it s another tasty delight from the label that will fulfil any and all late-night cravings, especially if you fiend for neapolitan pizza.. leave room for seconds.

following the success in 2017 of the koharu kisaragi/ryuichi sakamoto collaboration neo-plant, uk label lag records continues its revival of vintage electronic esoterica with kissh&#333,, tennyo, the 1984 lp by joe hisaishi, premier film composer of japan. whilst known worldwide for his elegiac scores to studio ghibli classics like princess mononoke and spirited away, it s a different kind of soundtrack behind kissh&#333,, tennyo, intended as it was to be a musical accompaniment to an 80s manga of the same name. it s also a showcase of hisaishi s lesser known talents as an electronic musician, shortly before he became composer of choice for world-renowned directors such as hayao miyazaki and takeshi kitano. on kissh&#333,, tennyo we hear hisaishi unleash synth arpeggios with all the suspense of a giallo horror. his cold minimalist ambience evokes the likes of terry riley. tracks like &#34880,,,,,,,,,&#12398,,,,,,,,,&#25239,,,,,,,,,&#20105,,,,,,,,, ( blood feud ) meanwhile lighten the mood, running at car chase speed with the bounce of early ymo. all in all, befittingly beguiling music for the cartoon tale of a modern femme fatale who has the powers of an ancient deity (the eponymous kissh&#333,,,,,,,,, tennyo or &#21513,,,,,,,,,&#31077,,,,,,,,,&#22825,,,,,,,,,&#22899,,,,,,,,, , to use the album s japanese title). in the same spirit of the manga, lag records have combined the old with the new on kissh&#333,,,,,,,,, tennyo. licensed by tokuma japan communications, the original release from classic anime label animage comes with new artwork by luna monogatari, and a remastering courtesy of jerome schmitt at the airlab. a download card and poster will be included with the gatefold. lp which comes on standard black vinyl.

shrunken heads” is something we were just kicking around at the time the label was starting to take shape, we felt it to be a good narrative of our influences and visions of how we see acrylic taking shape in the future. kid drama has kindly put together a killer remix for us to celebrate the labels beginning. he has been a massive inspiration for us all musically over the years and we are very humbled to have him on board with the first output. thanks hugely damon for taking time out of your schedule to do that. “motion design” came together fairly quickly, it was made with intent to homage the sound of the old guard we admire to o er our own contribution to that sound. all vinyl are strictly limited edition, and limited to 300 pieces per run. there will never be a repressing of any series. once each release is gone, they are gone forever. mastered and cut by beau at teneightseven. artwork and design by dave knapton at multiplex

stealth mission returns with another four track of weighty, warehouse grooves from naked eye people, k alexi shelby (with a ben sims edit), scott franka and the mysterious barrow boy.

few authentic electro producers from the uk can wear the badge legend with the same level of justification as phil klein aka bass junkie. active since the late 80s, phil has been peddling his own take on electro almost constantly, either as a solo artist or as part of numerous collabs with the likes of dynamix ii, keith tenniswood (radioactiveman) and si brown (dexorcist). dj, remixer, live act, and the man behind the killer battle trax label, there is nothing this junkie hasn’t done.
with essential releases on labels such dmx krew’s breakin records, andrea parker’s touchin bass, and billy nasty’s elektrix, the bass junkie sound spans the old school beats and vibes of the electro genre’s origins, to the borderline industrial. from funky to ferocious, bass junkie’s discography is a must have for anyone claiming passion for the genre - influential, individual, and infectious with every beat.
his low frequency fugitive ep is a welcome return for his bass junkie project, after several years working primarily on collabs. the ep brings four new tracks that maintain the bass junkie sound that brought him such success and notoriety in the first place, with a healthy dose of evolution too.
this is one fugitive everyone should try and track down...

band from trinidad & tobago, led by the internationally renowned lead guitarist guitarist and songwriter michael boothman. tabu and so dey say were recorded in 1972 and would remain family trees only recordings. limited edition of 500 copies worldwide! . family tree represented a new generation re-discovering trinidadian folk music forms and giving them a contemporary treatment. family tree infused old shango rhythms in their new sound and were the first to experiment with steel pan fused with standard instrumentation. tabu is a cover of a cuban standard made popular in trinidad by 1950s calypso musicians cyril diaz and his orchestra and so dey say was an original composition by david boothman. although they only ever recorded these two songs, the band toured with derek walcotts trinidad theatre workshop and forged long standing musical connections with some of the countrys leading musicians.

1st vinyl outing from the mysterious new user engine project coming soon. celebrating various aspects of house and techno, the new world order ep charts a journey from blistering old-school acid-house to more modern sounding techno floor burners. will be released on stepback records, mastering by radioactive man, illustration by jamie kinroy.

2018 will see the ever-influential acid jazz records celebrate thirty years at the forefront of the uk soul jazz scene. with co- founder eddie piller still at the helm the label continues to stride forwards both with new artists whilst also uncovering old classics. following the recent and definitive career spanning compilation anthology: 1972 -1984, acid jazz are pleased to announce details of two further leroy hutson albums, the reputation enhancing hutson and hutson ii will be available for the first time in over twenty years on vinyl.

2018 will see the ever-influential acid jazz records celebrate thirty years at the forefront of the uk soul jazz scene. with co- founder eddie piller still at the helm the label continues to stride forwards both with new artists whilst also uncovering old classics. following the recent and definitive career spanning compilation anthology: 1972 -1984, acid jazz are pleased to announce details of two further leroy hutson albums, the reputation enhancing hutson and hutson ii will be available for the first time in over twenty years on vinyl.

special triple pack for all you freedom sessions lovers out there - contains 3 classic releases:
frees06: petr serkin - we will greet you
frees07: petr serkin - magic roots ep
frees08: petr serkin - old tales from the future ep

50s jamaican mento at its best, reissue of a double 10 inch album into one solid disc. happy and delightful jamaican mento played by local jazz musicians, recorded in the golden age of 78rpm sp singles.

betty wright is a 64 year old american soul and r&b singer and songwriter, who rose to fame in the 1970s with hits such as -clean up woman- and -tonight is the night-. like aretha franklin, betty was blessed with a four octave voice range and is adept at using the whistle register. pressing on 180 gram audiophile vinyl.

kenny dope is behind this smashing unofficial new version of tyree coopers >acid crash<. the other side is more like vintage maw stuff: wrecking instrumental old-school house.

mirror trax proudly presents its first release: the esox lucius ep by esox lucius! born in the late 90’s, esox lucius seems to have soaked up his environment quickly. old school flavour transmitted to the depths where esox lucius roams seems to be the recipe for elementary and spaced-out techno. nimbus on the a side is a classic techno track reminiscent of the x-mix days! its soothing melody and driving bass will propel you towards the clouds, cruise-missile style. on the b side, the first track indica is a high-speed techno train. driven by its resonant lead and shifting snares, b1 will definitely leave you as high and disoriented as the name implies. common thread on the b side seems to be a hague-ish influence, as the closing track is a heavy grinding techno track with a hint of electro. b2 will definitely sink your ship so make sure the hoff is around! 300 copies available.

experimental spanish composer and multi-instrumentalist pepo gala&#769,,,n makes his vinyl debut with an exquisite record of carefully orchestrated ambient pieces.

the make mistakes ethos is one of diversity and evolution, and that is showcased in full on our newest vinyl release need your luvin. house, acid, techno, roy england, jarvi, fredy grogan. one track, three styles, all dance floor bounders. roy englands original mix is a jackin house jam with a timeless vibe. a classic house sound propelled forward by the titular vocal sample, england manages to deliver a track that would work equally in the lounge, as well as late night in the big room. on the b side jarvi s acid workout strips the original down even further, and fills it back up, with a wandering, hypnotic acid line to stitch it all together. an old school party sound, both familiar and fresh. fredy grogan deconstructs the original into its component parts, building it back up into his dark, and driving dub techno remix. drawing it out over nearly 8 minutes, this ll have the heads bouncing off the walls. house, acid, techno, pillars of dance music, mixed together, given the ol razzle dazzle, and served up hot and ready for mind, body, and soul. grab need your luvin, stick it in the crate, and never worry, because you ll always have the luvin you need. beware the irrational, however seductive. shun the transcendent and all who invite you to subordinate or annihilate yourself. distrust compassion, prefer dignity for yourself and others. dont be afraid to be thought arrogant or selfish. picture all experts as if they were mammals. never be a spectator of unfairness or stupidity. seek out argument and disputation for their own sake the grave will supply plenty of time for silence. suspect your own motives, and all excuses. do not live for others any more than you would expect others to live for you.

greta cottage new boy duccio lp jumps into the fray. flipping a girthy cut & bringing together a pack of melody heavy boompty tech house arse wobblers. proceedings begin with late night swing - a delicately laced flutey chugging acid pumper ... chunky for those big rig nights. proggy as you like hypeway follows the beauty of spaceways, twinkly and fuzzy like the morning after. sambao brings solid mid west rave gear to mind.. prepped for a wig top knock off the old block. it sounds extatic in jediland, can t feel me legs - go and make some friends in the toilets, then stagger back to the fray…

ten year anniversary of the now classic cross country collaboration between del the funky homosapien (hieroglyphics founder and member of deltron 3030) and tame one of the artifacts. first time ever available on vinyl - remastered and pressed on special purple white smoke colored vinyl.
remember the old-school marvel team-up comic book which paired, say, spider-man with thor, wolverine with the human torch, or the hulk and daredevil? in the spirit of those classic collaborations, gold dust announces parallel uni-verses, a joint effort between hieroglyphics founder del the funky homosapien and original artifacts emcee tame one. produced entirely by parallel thought, the album’s ten tracks return to a time when inventiveness, creativity, funky beats - and, above all, lyricism - ruled hip-hop.

i cant love you anymore is the first single by hard working soul performer carlton jumel smith recorded with cold diamond & mink, and the man has revealed his middle name just for the occasion. otherwise known simply as carlton j. smith, theres no doubt he has swallowed a large pill of soul since seeing james brown live at the apollo theatre as an 8-year old. smiths timmion debut single sinks him into drum heavy southern flavored deep soul, a style that comes out of him naturally as water from a mountain spring. backing him up on the falsetto parts is pratt, who recently turned some heads with his pratt & moody release lost lost lost on stylart records, and together the two basically nail it. when looking for artists, who just seem to move through time effortlessly with a steady air of confidence, passion and precision, one might pick up the phone and give cjs a call. even though his discography of couple of late 2000s albums and some guest spots in early 90s soulful house 12inches is a bit mysterious, there seems to be not one bit of difficulty to his craft or personality. as a recording artist, i cant love you anymore is a new opening into raw soul territory, and it is just what the world needs today. he laid down an album worth of tracks on his last helsinki visit, and this might be something to look forward to.